---
title: "Auteur Edit"
canonical_url: https://auteurintelligence.com/products/edit/
description: "Bring generated and traditional media into a governed DaVinci Resolve workflow with explicit staging, protected operations, and readback."
---

# Auteur Edit

Run your DaVinci Resolve edit by asking for what you want. Auteur Edit is a
safe, plain-language assistant that works inside Resolve: it brings your
AI-generated shots and your real footage into one timeline, makes the changes
you ask for, and keeps a record of every one. It never touches your work without
staging it first, and it holds anything destructive for your approval. It also
reads the timeline back, so the project always knows exactly what is in the cut.

For people who already live in Resolve and want AI help to arrive the same
careful way they work: a plan before any change, nothing overwritten, everything
logged.

## Who it's for

Post professionals, editors, colorists, and VFX artists working in DaVinci
Resolve, running AI-assisted finishing on real footage.

---

## By filmmakers, for filmmakers

This application was designed and built from the ground up by professional
filmmakers, writers, and working professionals who use AI in real-world
scenarios in their daily workflows, and who needed better, more reliable
solutions than the market offered. Its founder has spent over 25 years in
the film industry as a writer, director, and editor of award-winning
feature narrative films and documentaries.

---

“Send this Resolve scene through ACE Studio for a complete Foley pass. Match the sounds to each shot, then return the finished Foley to the correct Resolve bins.”

## No Resolve? The AV Canvas

Not every cut needs a grading suite. The AV Canvas is the studio's own
project-aware timeline, picture and multi-track audio, assembled, reviewed,
and staged entirely inside the app, on the desktop or the deck, with no
Resolve installation required. It speaks the same canon and carries the same
receipts, and when a project graduates to Resolve finishing, the work rides
along instead of starting over.

---

## The project organizer

Auteur Edit is the edit's librarian as much as its engineer: it organizes the
project, round-trips assets between the studio and Resolve in both
directions, and writes custom metadata through everything it touches, so an
asset stays trackable wherever it travels and findable the moment the edit
needs it.

---

“Pull the selects with the gold marker, assemble them in script order on a fresh timeline, and stack the alternates under the best takes.”

## Work where you like

Choose your cockpit. A workspace integration plugin brings the AI generation
and the Resolve automations inside Resolve itself; Control Deck carries them
to the tablet; Telegram answers on the go; the desktop app holds the full
studio, or hand the reins to the harness you already use and let it drive
the recipe catalog, 42 Resolve recipes and 25 provider-side finishing
recipes today, inside a studio of five-hundred-plus catalogued operations,
while you stay on the vision and off the repetitive work.

---

## The audio bench

The finishing suite extends to sound: Ace Studio, ElevenLabs, and Fish Audio
connect for batch-produced music, narration, dialogue ADR, and Foley, and
Wavespeed alongside local engines covers SFX and Foley generation. Audio
lanes carry the same staging and receipts as picture.

---

## Constructive, never destructive

The timeline is sacred. Every automated operation is staged, previewed, and
approved before it lands; destructive steps stay behind explicit gates, and
the readback verifies that what happened is what you approved. The engine
works constructively on your cut, it does not gamble with it.

---

## Deep in DaVinci Resolve

Most Resolve integrations you will meet are surface work: an AI generator
wired to a bin drop, with no memory of placement, metadata, structure, or
story. Auteur Edit is the opposite. It does not sit beside Resolve, it works
inside it, through a catalog of purpose-built automation recipes, each
staged and approved rather than fired blind at your timeline, proven on our
own long-form projects with media libraries seventeen hundred items deep:

- **Edit**, timeline recipes: track organization, bin discipline, selects
  by marker color, and staged assembly passes that keep the cut reviewable.
- **Fusion**, compositing assistance including object tracking and motion
  work, driven in plain language.
- **Fairlight**, audio-prep recipes: lane organization on a named track
  schema, stem export, and masking-aware music ducking, with the limits of
  Resolve's scripting surface printed honestly on the panel.
- **Color**, staged color moves that respect the grade you have built.
- **Motion**, motion-graphics work in the same governed lane; packaging for
  setups without Resolve is carried by the status registry.

The lane also answers from the couch: through [Control Deck](https://auteurintelligence.com/platform/remote-control/),
step, shuttle, edit shortcuts, bounded color touches, and staged agentic
runs all drive Resolve wirelessly from a tablet, under the same approvals,
recipes fire from the studio and the deck approves the runs.

The engine also watches the work with you. Retrieval-backed visual memory and
vision and audio models, local or hosted, your choice, check that what is on
the timeline is what you intended: the right take, the right read, the right
frame, flagged when they drift from the approved material.

---

## What it solves

Generated media usually lands in the timeline as a pile of files with no
provenance and no guardrails. Edit brings it into Resolve with explicit staging,
protected operations, and readback, so what enters the media pool is reviewable
and what changes is deliberate.

---

## How it works

Generated and traditional media arrive in DaVinci Resolve through a governed
bridge: what enters the media pool is staged and reviewable, protected operations
keep changes deliberate, and every change reads back with a receipt. Localized
finishing, replacing a region while foreground detail is protected, or placing
tracked content on a screen while its reflections and occlusions hold, packages
cleanly for Resolve.

---

## Workspaces included

- **Resolve integration**, a governed bridge into DaVinci Resolve with protected
  mutations and readback.
- **VFX Matte Builder**, tracked mattes for localized replacement that protect
  the foreground, with correction keyframes and package manifests.
- **Exact Screen Finishing**, tracked moving content on screens, with review
  overlays and refusal of invalid tracks.
- **Motion Control**, motion guides, depth, pose, masks, upscale, and
  stabilization feeding generation, VFX, and finishing.

---

## Embedded from other products

Edit does not fold another paid product inside it. It is the professional post
lane that [Film](https://auteurintelligence.com/products/film/) hands finished-media work to, and it is
included in [Studio](https://auteurintelligence.com/products/studio/).

---

## Moving up

Media generated in [Film](https://auteurintelligence.com/products/film/) and [Game](https://auteurintelligence.com/products/game/) is what
Edit finishes, and [Studio](https://auteurintelligence.com/products/studio/) carries Edit inside the bundle.

---

## Where it runs

Edit runs beside your own DaVinci Resolve, on your machine.

---

## Demonstrated

Tracked mattes and screen finishing have been used on real footage, including
live phone burn-in work, with results imported into Resolve, recent, dated
production evidence rather than a staged demo.

---

## Current limitations

Compatibility is stated by named DaVinci Resolve build, never as universal.

---

## Related products

[Film](https://auteurintelligence.com/products/film/) · [Game](https://auteurintelligence.com/products/game/) · [Prep](https://auteurintelligence.com/products/prep/) ·
[Studio](https://auteurintelligence.com/products/studio/)

---

## Questions

**Which media can I bring into it?**
Media generated in [Film](https://auteurintelligence.com/products/film/) and [Game](https://auteurintelligence.com/products/game/), plus
traditional footage, all land in the same governed Resolve workflow.

**What keeps it from breaking my project?**
Protected operations, explicit staging, and readback: changes are deliberate and
reviewable, and invalid tracks are refused rather than forced.

---

## Take the next step

**Request Invitation**, [/founding-beta/?track=invite](https://auteurintelligence.com/founding-beta/?track=invite).
A request for an invitation to the design-partner program; this starts a conversation with us, and seats, when offered, are paid.

---

## Proof

Every claim on this page traces to the product status registry, with
evidence in live Resolve canaries, commits, and tests, last verified 2026-08-28.
The receipts behind it are claims FILM-009–012.
